The Latins (Latin: Latini), sometimes known as the Latians, were an Italic tribe which included the early inhabitants of the city of Rome. From about 1000BC, the Latins inhabited the small region known to the Romans as Old Latium (Latium Vetus), that is, the area between the river Tiber and the promontory of Mount Circeo100 kilometres (62mi) SE of Rome.
The Latins were an Indo-European people who probably migrated into the Italian peninsula during the late Bronze Age (1200–900BC). Their language, Latin, belonged to the Italic branch of Indo-European. Their material culture, known as the Latial culture, was a distinctive subset of the Iron AgeVillanovan culture that appeared in parts of the Italian peninsula after 1000BC. Although divided from an early stage into communities which mutated into several independent, and often warring, city-states, the Latins maintained close culturo-religious relations until they were definitively united politically under Rome in 338BC, and for centuries beyond. These included common festivals and religious sanctuaries.
Television was an early fixture of CBGB and the 1970s New York rock scene. Although they recorded in a stripped-down, guitar-based manner similar to their punk contemporaries, the band's music was by comparison clean, improvisational, and technically proficient, drawing influence from avant-garde jazz and 1960s rock. The group's debut album, Marquee Moon, is often considered one of the defining releases of the punk era.
Their first group together was the Neon Boys, consisting of Verlaine on guitar and vocals, Hell on bass and vocals and Billy Ficca on drums. The group lasted from late 1972 to late 1973. A 7-inch record featuring "That's All I Know (Right Now)" and "Love Comes in Spurts" was released in 1980.
As a leader of the local community, Chairman Amin (Shahir Huda Rumi) bans every kind of image in his water-locked village in rural Bangladesh. He even goes on to claim that imagination is also sinful since it gives one the license to infiltrate into any prohibited territory. But change is a desperate wind that is difficult to resist by shutting the window. The tension between this traditional window and modern wind grows to such an extent that it starts to leave a ripple effect on the lives of a group of typically colorful, eccentric, and emotional people living in that village. But at the very end of the film, Television, which he hated so much, comes to the rescue and helps Chairman Amin reach a transcendental state where he and his God are unified. A new twist to the story makes him embrace IMAGE and IMAGINATION.